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Saga poster
0h 9m

Saga (1968)

Overview

"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three­ dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object­ book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.
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Jean-François Bory profile
Jean-François Bory

Director

Cast

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Extra

Release Date

January 1, 1968

Original Language

No Language

Budget

$0.00

Production Company

Available On

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